Wednesday, 8 November 2017

Free online records: digital microfilm

Photo of the National Archives building (wiki)

Link to the guide of FREE online records held by The National Archives
...[which includes] the A -Z list of record series on digital microfilm [although in many cases] only part of the series is available online, not the whole series...

Why use this guide?

This guide lists and provides access to all the record series at The National Archives which are available to view and download for free. These are all digital microfilm records.

What are digital microfilm records?

Our digital microfilm records cover a wide and varied set of subjects, from military and naval records to Foreign Office and Home Office correspondence. They are all listed in the table in this guide.
Many of these records are indexes to other records which may not themselves be viewable online. They are all records which were previously available on microfilm in the reading rooms at The National Archives at Kew.
These documents are free of charge to download and are delivered as large PDF files.

How to search and use digital microfilm records

You can use digital microfilm records in much the same way that you would normal microfilm records, but instead of needing a microfilm reader, you can simply download them from our website and scroll through them on your computer.
You cannot search these records in the same way that you can other kinds of online records. There is no way to locate any of the information contained within them, including names of individuals, other than by scrolling through the PDFs.
Using the links in the table below, find records on digital microfilm as follows:
Step 1: Click on the record series title in the table to view the series description in our catalogue (for example, click on ‘Records of service of the Coastguard 1816-1947’ to view this record series, which has the catalogue reference ADM 175)
Step 2: Find the piece number covering the date and subject of interest. Piece numbers always contain a forward slash (for example, ADM 175/4). If you cannot see the piece numbers displayed to the right of the series description, click on ‘Details’ and then ‘Browse by reference’
Step 3: Having chosen a piece number, click on Details
Step 4: Click on ‘Add to basket’ and download.

Downloading, saving and printing digital microfilm

Digital microfilm files are much larger in size than the rest of our digital content (files contain up to 800 pages) and so is only available to online users with a broadband connection. Computers with limited memory may struggle to open them and it will almost certainly take your computer some time to download each file. They are on average 400MB in size
We recommend that you save the document to your computer’s hard drive before attempting to open it. How you do this will depend on the web browser you are using and whether you are using a PC or Mac. See the table below for instructions.
Mozilla Firefox Google Chrome Internet Explorer Mac users
Right click and select ‘Save link as’ Right click and select ‘Save link as’ Right click and select ‘Save target as’ Click the mouse while pressing the control button on the keyboard simultaneously – a pop-up box should appear, allowing you to save the files
To view the PDFs you will need to have Adobe Reader installed on your computer, which can be downloaded free of charge.
When printing from these files specify which page numbers you would like to print, as many are up to 800 pages long in total.
If you experience problems saving or downloading, contact our helpdesk team.



Devon Deciphered book signing and talk DATE CHANGED TO DECEMBER 4TH






 The Friends of Devon’s Archives have recently published a book called Devon Deciphered, by John Booker, a retired archivist and palaeography lecturer who has volunteered at the Devon Heritage Centre since 2011 and regularly teaches palaeography here.

Devon Deciphered approaches the art of reading old handwriting from a specifically Devonian perspective, using documents created and held in the county.

Between 2 and 4 pm on Monday 4th December at the Devon Heritage Centre, John Booker will be talking about the process of writing the book, with reference to many of the documents, which will be on display. 

Copies of the book will be on sale, and John will be happy to sign them.

Please pass this message on to anyone who may be interested.

There’s no charge for attending, and it isn’t obligatory to tell me in advance that you’ll be coming, but, if you can do so, it will be helpful.

Brian Carpenter
Community Learning Officer
Devon Archives and Local Studies Service
Devon Heritage Centre
Great Moor House
Bittern Road
Sowton
Exeter
Devon
EX2 7NL
01392 888712
07939 106549


South West Heritage Trust is supported by Somerset and Devon County Councils
South West Heritage is a charity and a company limited by guarantee registered in England. Registered office: Somerset Heritage Centre, Brunel Way, Norton Fitzwarren, Taunton, Somerset TA2 6SF. Company number: 09053532 Charity Number: 1158791 VAT Registration Number: 197221592

Monday, 30 October 2017

Murder, Magic and Witchcraft

All are welcome on Thursday, 2nd November in the Armory Moot Room on the Streatham Campus at Exeter University, when Dr Peter Elmer will present the 2017 Joyce Youings Memorial Lecture titled Murder: Magic & Witchcraft: the Politics of the Supernatural in Restoration Exeter 

Drinks and reception are in the foyer at 6:00pm. The lecture starts at 6:30pm




Poster for the 2017 Joyce Youings Memorial Lecture


Dr Elmer is a senior research fellow in  the history department at Exeter University

Dr Peter Elmer
 He has a "broad interest in the cultural and intellectual history of early modern Europe, with a particular interest in the impact of religious and political change upon medicine and its practitioners in Britain in the same period."




Exeter Steampunk's November Convivial on November 7th

Michael Farley, of Exeter Steampunk,  invites everyone to enjoy a convivial STEAMPUNK evening at the Cowick Barton in Exeter, at 7:30pm on Tuesday, 7th November
"It's the first Tuesday of the month, so why not join us at the Cowick Barton for Exeter Steampunk's November Convivial? Everybody's welcome (the more the merrier)..."








Saturday, 28 October 2017

Train attempts hurdle

Many thanks to Dave Grylls from Newton Abbot for this action photograph by the River Lemon:
March 6th 1997 Train attempts to jump hurdle  spanning the river next to racecourse 


Monday, 23 October 2017

Remember the heroes at St Mary's Church, Cofton. 12:00 noon this Thursday, 26th October, 2017

 The Dawlish World War One Project 
website details three local boys who died 100 years ago, fighting for King and country in the First World War .

 Remember them at St Mary's Church, Cofton. 12:00 noon this Thursday, 26th October, 2017

 
The information on the Dawlish World War One Project's website is comprehensive and includes some photographs, which include, for us in Starcross, a very poignant one of a very young Leonard Reggie Stephens at school in Starcross

Private William Blatchford. Royal Marine Light Infantry
Royal Marine Light Infantry Badge

Private Leonard Reggie Stephens. Royal Warwickshire Regiment
Private Leonard Reggie Stephens in uniform

Leonard Reggie Stephens at school in Starcross
Private Tom Pook. Devonshire Regiment
Devonshire Regiment Badge


Poster for 26th October

Friday, 20 October 2017

Earning Pocket Money in the 40s

Here's a marvellous example of oral history, from Newton Abbot's Dave Grylls:

Dave Grylls, aka Isambard Kingdom Brunel, kindly sent in this audio clip about his childhood in the 40s. Children would make their own barrows, from crates and pram wheels, and use them to ferry things they could sell, such as jam jars, wood and flowers.

RIGHT CLICK AND OPEN IN NEW TAB   so that you can see the transcript while you listen



Transcript
Hello. This is Dave Grylls again. This is just another memory that I have of when I was a child, growing up.
During the war years, things were perhaps a little bit scarce. We were rationed and all sorts like that but nevertheless we managed to carry on with a little bit of endeavour we enjoyed life to a degree and had many happy times.
However this is all about earning, and I repeat, earning pocket money not thrown around but earning it and how to earn it in the 40s as a young boy. I grew up in the time when pocket money was earned and not freely given away on a weekly basis. Money, as you can appreciate was scarce. Every penny had to be accounted for and consequently parents found it very difficult to reward children. If we as young boys really wanted something, then we worked together to gather enough money to buy it. This was good for all as it taught responsibility at an early age. And also, how to look after it once you'd got it.
Often items were handed down from one child to the next and because of the value of hard work and care it represented, almost these items were as good as their first day of purchase.

There were various ways in which to earn pocket money; some easy maybe but some needed some effort at least. The most lucrative demanded some hard work.  Before the commencement of all these little earners, we had to consider some way of transportation of our goods and suchlike. Many  youngsters, with a little initiative, built their own little wheelbarrows from wood, an old tea-chest or box, old pram-wheels, 2 shafts, a few nails or screws and we were away. Initial outlay was quite small as most grocers had an unwanted chest or box. Pram wheels were also easy to come by so with a little bit of initiative, hammer, screws and nails you could create something quite reasonable.
Almost all children of my generation can remember the Jam Jar Run.  Collect enough jam jars from your neighbours to fill a wheelbarrow and off you go to the back entrance of Maple in Hopkins Lane.
The manager would count each jam jar out and pay up accordingly. 2 or 3 ... shillings are not to be sneezed at. The Maples stores were recycling jam jars long before most modern-day supermarkets were even thought of. Half a penny for the 1lb jars and a whole penny for the 2lb jars.

All radios and wireless of the day - if you were lucky enough to have one -  were powered by what we termed cumulators1 . These had to be charged on a regular basis by the local electrical shop so we would collect the cumulators, take them to be charge and return them for a fee.
The wheelbarrows really worked hard and often wheels buckled down with the strain,. Quite often, running repairs were necessary. Often there were 2 of us pushing. And as some of the loads were quite heavy - for children - However not too wise a move to have too many pushers, 'cause it meant splitting the profits.

Most homes had log fires; some coal maybe, but most burnt logs and proved to be a real earner. We'd make several trips to Culls' wood yard where whole trees were sawn into logs while you waited. Lovely smell - freshly sawn wood. Empty barrows down the hill; loaded barrow up the hill which, believe me, can be quite back-breaking at times. Sometimes we would amalgamate the wood run with the paraffin run as some customers had paraffin heaters. This was actually sold by the gallon and it was essential to screw the lid on securely, or you would smell of paraffin all day. Any leakage also cut down the profit.

Spring and Summertime came and it could have proved a bit lean for child business so we picked primroses, foxgloves, bluebells violets; and made them into bunches. Good salesmanship could make this quite lucrative however we always found time for play.

The surrounding countryside had much to offer and all absolutely free. And as a child  you work this hard to earn your pocket money, then, believe me, you really appreciate the end result.

This story I penned on 22nd  November 2009 and it came to me just out of the blue and this I think  is a great thing. If you fail to record all these little stories, however silly they may seem to be, unless you put them on paper or record them, they are lost forever. And some stories are really quite delightful.

Thankyou and bye-bye.


 1 cumulators was us chillen's word for electrical accumulators, which is an obsolete term for capacitors: electrochemical cell, a cell that stores electrical energy, typically used in rechargeable batteries wiki 

Dave Grylls as Isambard Kingdom Brunel at the Starcross History meet

Dave Grylls as Isambard Kingdom Brunel in Dawlish
 Unearth  event recorded some Starcross Stories from Starcross residents. This is a first step in the Starcross Oral History project. We have been offered the facilities and expertise of the Hear and Now recording studio in Dawlish, and we have people who are willing to tell us more Starcross stories. We need a leader to take forward the Starcross Oral History project. Please get in touch if you would be that leader.



Saturday, 14 October 2017

TILES WANTED for The Starcross History Mosaics Project

With lots of help from the village, The Starcross History Mosaics Project will create a series of mosaics to celebrate its fascinating history.

The first design being worked on is for the forge.The forge mosaic will have an anvil, horse-shoes, hammer & tongs and a HORSE (of course), set against a background  of the red&orange-glowing coals of the furnace.
The forge used to be called Smiths Forge  The Hertfordshire Archives and Local Studies   hold a bundle of documents, dated 1728-1894.

Another current design idea is of Brunel with his iconic cigar and stove-pipe hat, by a red sandstone tower.

The owner of the house where Captain Peacock lived, has kindly agreed to display our mosaic of The Swan of the Exe  - which will be based on this excellent photograph ( kindly forwarded by The Liverpool Archives) of Captain Peacock's folly, The Swan of the Exe, with Mr Dixon, of Dixon's Yard at Exmouth (where the yacht was built)  and Captain Peacock on board



Teignbridge District Council point out that the siting of mosaics might mean getting planning permission, and they have offered the help of their Community Art and Design Adviser.

Anyone could have a go at making a mosaic. But broken tiles can have sharp edges, cutting tiles can result in flying shrapnel, tile adhesive can stick to stuff you don't want it to, so be aware of the Health and Safety aspect of what ought to be a harmless hobby.

The steps to create an outside mosaic could be:
NB wear goggles to protect your eyes, and gloves to protect your hands.  Put your hands inside a pillowcase when you cut tessarae; to prevent pieces flying.
  • Find a piece of wood with at least one side unvarnished and unpainted.
  • Drill holes where you will fix it to a wall
  • (you will leave a space around the fixing holes you have drilled - you tile over the top of the screws after the mosaic is fixed in place)
  • Create a design out of simple shapes 
  • Draw it onto the unvarnished, unpainted wood
  • Collect the tessarae - which need to be small, thin and flat. You could use pebbles, or tiles, or pottery or shells. If you need to cut tessarae, do it inside a pillowcase to prevent pieces flying. 
  • Sort the tesserae into colours
  • Use WATERPROOF adhesive cement. Polyfilla is ideal. Either butter it on to the tesserae or put it onto the wood - whichever way suits you is best. 
  • After it's dried for a couple of days, grout it all with WATERPROOF grout.
  • Leave a couple more days.
  • Use yacht varnish to make the wood waterproof on the back and the edge of the wood.

NB wear goggles to protect your eyes, and gloves to protect your hands.  Put your hands inside a pillowcase when you cut tessarae; to prevent pieces flying. 

There's lots more advice on the internet, but much of it is around mosaic suppliers. Using unwanted materials such as old/broken tiles and shells is the cheapo way


Please get in touch if you can add to this basic how2, or would help with this project. Do you have any plain coloured tiles? It doesn't matter if they are broken. Any colours, but we need red and orange for now. and silver and gold.
 
Many thanks to Joanne Bickel and Alma for their advice and encouragement.




 

Tuesday, 10 October 2017

307 Squadron Project in Exeter


third from the right navigator F/O Leon Michalski, fifth pilot
F/O Alfred Suskiewicz, sixth mechanic Cpl Piotr Czereda.

 307 Squadron Project invite you to a number of important events taking place in Exeter on Wednesday 15th November (307 Squadron Day) to honour the Polish 307 Squadron.

307 Squadron, part of the RAF, were night-fighters who fought the Luftwaffe over the skies of
Britain and prevented Exeter from being totally destroyed during the blitz on the city in 1942.
This year is the 75th anniversary of when the squadron presented the city of Exeter with
the Polish flag on 15th November 1942 in a sign of international cooperation.

The events on 15th November, ‘307 Squadron Day’ include:
  • 09:50 RAF Brize Norton Parade from the top of High Street to the Guildhall. RAF Brize Norton will be exercising their Freedom of Exeter to honour 307 Squadron.
  • 10:00 Raising of the Polish flag over Exeter Guildhall in the presence of distinguished guests including:
Vice Lord Lieutenant of Devon, Sir John Cave
His Excellency Arkady Rzegocki, Polish Ambassador to Great Britain
The Lord Mayor of Exeter, Councillor Lesley Robson
  • 10:30 Exhibition ‘Night Fighters of Exeter’ at the Guildhall opens. This free public exhibition, in both languages, is open until 16:00 hours.
The exhibition is also open on:
Tuesday 14th November 10:30 - 16:00
Thursday 16th November 10:30 - 16:00
  • 16:30 Unveiling of 307 Squadron plaque at Exeter Cathedral. The plaque, which will be placed inside the St James Chapel, will be unveiled by The Polish Ambassador
 
  • 17:30 Choral Evensong Incorporating 307 Squadron at Exeter Cathedral
For more information on these events please contact us at info@307squadron.org
Andrzej Michalski, Michael Parrott, Marcin Piórkowski
307 Squadron Project
www.307squadron.org
facebook.com/307SquadronProject

poster: Night Fighters of Exeter


Commemoration at Exeter Guildhall

Commemoration at Exeter Guildhall

Commemoration at Exeter Guildhall

Saturday, 7 October 2017

Dress up as a film star. Popcorn is free.

 Newton's Place Film Night

On Tuesday, 17th October, at 7:30pm, in  St. Leonard's Church, Wolborough Street, Newton Abbot, there will be a National Lottery funded show of archive film about Newton Abbot and surrounds.
 Come as you are, or as your favourite film star.
  • FREE ENTRY
  • FREE POPCORN
 Donations requested, to the Newton's Place development fund




 




 
 
 

Tuesday, 19 September 2017

November 8th in St Paul's. Ian Graham-Jones on John Marsh

 

November 8th meet

The next meet of Starcross History will be on Wednesday, 8th November at 7:30pm in St Paul’s Church. No membership fee and admission is free. We have to pay for the room, so we charge £1 for tea/coffee and £1 a strip for raffle tickets. Please bring a raffle prize.
Ian Graham-Jones has kindly agreed to present an illustrated talk about John Marsh’s visits to Starcross and Dawlish. John Marsh (1752 -1828) was perhaps the most prolific English composer of his time - over 350 works. He had varied interests; from bellringing and religion to astronomy and geometry. His 37 journals are valuable sources of information on life and music in 18th -19th century England. They remained unpublished until 1998. (wiki)
 
Here's the full wikitext:
John Marsh (31 May 1752 – 31 October 1828) was an English gentleman, composer, diarist and writer born in Dorking, England.[1] A lawyer by training, he is known to have written at least 350 compositions, including at least 39 symphonies. While today known primarily for his music, he also had strong interest in other fields, including astronomy and philosophy, and wrote books about astronomy, music, religion, and geometry.

Life and career

Marsh lived in Dorking, Gosport, Romsey, Salisbury and Canterbury before settling in Chichester in 1787 until his death in 1828. As a concert organizer, he was responsible for the music making in the towns and cities where he worked, especially in Chichester, where he led the subscription concerts for some 35 years.
Marsh was perhaps the most prolific English composer of his time. His own catalog of compositions records over 350 works, of which he lists 39 symphonies. Of these, only the nine that Marsh had printed are extant, together with three one-movement finales.
Marsh was a man of varied interests, and his 37 volumes of journals are among the most valuable sources of information on life and music in 18th-century England. They represent one of the most important musical and social documents of the period. It remained unpublished until the first volume was published in 1998. In one passage, Marsh describes the great Handel Commemoration of 1784 in London.
Marsh's son was poet and cleric Edward Garrard Marsh.

Extant works

  • The Salisbury Symphonies
    • Symphony No. 8 [9] in G Major (1778)
    I. Allegro
    II. Andante
    III. Allegro
    • A Conversation Symphony for Two Orchestras [No. 10] in E-flat Major (1778)
    I. Allegro maestoso
    II. Andante
    III. Allegretto
    • Symphony No. 2 [12] in B-flat Major (1780)
    I. Allegro
    II. Largo 8 in a bar
    III. Allegro spirituoso
    • Symphony No. 1 [13] in B-flat Major (1781)
    I. Allegro
    II. Andante
    III. Chasse: Allegro
  • The Canterbury Symphonies
    • Symphony No. 5 [16] in E-flat Major (1783)
    I. Largo staccatto
    II. Allegro moderato
    III. Minuetto; Allegro spirituoso
    • Symphony No. 3 [17] in D Major (1784)
    I. Allegro
    II. Andante
    III. Presto
  • The Chichester Symphonies
    • Symphony No. 4 [19] in F Major (1788)
    I. Allegro
    II. Larghetto
    III. Minuetto
    IV. Allegro
    • Symphony No. 7 [24] in E-flat Major (La Chasse) (1790)
    I. Andante (The hunter’s call in the morning)
    II. Allegretto (Setting out from home; the fox discovered)
    III. Allegro (Chasse)
    • Symphony No. 6 [27] in D Major (1796)
    I. Largo maestoso; Allegro spiritoso
    II. Andante
    III. Minuetto: Allegro
    IV. Allegro scherzando
  • The Finales
    • Finale No. 3 in E-flat Major (1799)
    Andante; Allegro
    • Finale No. 1 in D Major (1800)
    Pomposo
    • Finale No. 2 in B-flat Major (1801)
    Maestoso; Trio
    Allegro

Citations

  1. Brandon, Peter (2006). Sussex. London: Robert Hale. p. 224. ISBN 0-7090-6998-7.

References

  • The John Marsh Journals—The Life and Times of a Gentleman Composer (1752–1828) Edited, introduced and annotated by Brian Robins. Pendragon Press, Stuyvesant, NJ, 1998. ISBN 0-945193-94-7. A second volume, covering the period from June 1802 to Marsh's death on October 31, 1828, was published by Pendragon Press in July 2013. ISBN 978-1576471630.
  • "The John Marsh Journals: The Life and Times of a Gentleman Composer (1752-1828)." Music & Letters, Nov. 1999.
  • Temperley, Nicholas, "Marsh of Chichester: Gentleman, Composer, Musician, Writer 1752-1828” (review), Music and Letters - Volume 86, Number 4, 2005, at p. 633.
  • Marsh of Chichester: Gentleman, Composer, Musician, Writer 1752-1828. Ed. by Paul Foster. pp. 158. Otter Memorial Papers, 19. University College Chichester, Chichester, England, 2004. ISBN 0-948765-34-8.
  • John Marsh--Symphonies, Edited by Ian Graham-Jones
  • The New Grove Dictionary of Music & Musicians (2000)

External links

There are 2 c.d's of John Marsh's symphonies:One of the c.d.'s is Chandos 10458(64 minutes,2008).It contains 5 of his symphonies: Number 2(LaChasse-1780),Number 6(1796),Number 7(LaChasse-1790),Number 8(1778)and Conversation Symphony for 2 Orchestras(1778).It's played by the London Mozart and conducted by Matthias Bamert.The other c.d.is by The Chichester Concert conducted by Ian-Graham Jones(64 minutes,1989).It also contains 5 symphonies(Number 1,3,4,6 and A Conversation Symphony for 2 Orchestras.It was given a favorable review in Gramophone Magazine in 1989.

Monday, 18 September 2017

Music by John Marsh

Starcross History is to have a presentation, on 8th November, from Ian Graham-Jones, about the composer and diarist John Marsh. (1752 - 1828)  John Marsh visited Devon, including Dawlish and Starcross.

Here is a selection of John Marsh music: 


John Marsh - Symphony No.7 in E-flat major "La Chasse" (1790)

 

 

John Marsh - Conversation Symphony for 2 Orchestras in E-flat major (1778)



John Marsh - Symphony No.6 in D-major (1796)

 

John Marsh - Symphony No. 4 in F major

 

John Marsh (1752-1828): Voluntary No. 1 in C Major (Ménestérol)



John Marsh (1752-1828): Voluntary No. 15 in G Major (Ménestérol)






Photograph of the Royal Western Counties Hospital with a topiary swan


What a great photo.
  • Is that a swan hedge in the background?
  • Does anyone know anything about this photo please? 
  • Who did that topiary? 
  • What year was this taken? 
  • Who took this photo?




 Topiary in Starcross
Starcross once had some more topiary - there was a row of conical Yew trees along The Strand. see bottom right picture on this postcard

Greetings from Starcross. potcard. 5 views





 
and here's another view of them; with people in Victorian clothing.



and here's 3 Francis Frith postcards which also show the Yew trees along The Strand







and here's one of the row of conical yew trees by the Starcross siding




Kenton Past & Present meet this Wednesday

Hugh Meller will address Kenton Past and Present Society this Wednesday 20th September in the Victory Hall.
subject -  The  Country Houses of Devon
Non-members welcome
Admission £4
Hugh has written many books about  architectural history. They include The  Country Houses of Devon published by Black Dog in 2015 -  Two hardback volumes (each 303 x 213mm) complete with a slip-case. 1,204 pages in total.
ISBN 9780952434146
These books won the WG Hoskins Prize
Hugh pictured at the launch of his books, with Devon Gardens Trust Vice President Carolyn Keep.

Hugh Meller speaking at Devon History Society AGM after receiving the W G Hoskins prize for his books The Country Houses of Devon.






Poster advertising the meet with covers of the 2 books


link to The Country Houses of Devon by Hugh Meller on The Black Dog Press
"
This... publication describes more than 400 of Devon’s most notable country houses in lively detail. Their owners & architectural history, their estates, ancillary buildings & gardens are all included. Over 1,000 old and new photographs, drawings, maps and sketch-plans, many published for the first time, illustrate the text.
The author spent 26 years working for the National Trust in Devon, responsible for its historic buildings, and 15 years researching the houses in these two volumes. Significantly, it is the first time that the county’s more obscure country houses, as well as the better-known ones, have been comprehensively recorded.
"


Image of Paul Holden's review of the books The Country Houses of Devon
Paul Holden's Review of The Country Houses of Devon
link to Paul Holden's review of Country Houses in Devon


Sunday, 20 August 2017

Starcross Unearthed - The Villages in Action Show

What are the stories that make Starcross such a unique place? Who are the characters that have lived over the centuries in the village? Playwright Lucy Bell, actors Charlie Coldfield and Kirsty Cox, sculptor Peter Margerum, digital artist Kate Green plus folk musician Jim Causley have woven local stories into a fascinating evening of song, drama, interactive art, sound and archive images

The performance is on Friday, 15th September at 7pm (doors open at 6pm ) in St Paul's Church, Starcross.
Tickets from Westbank Charity Shop, or from Alison
£7 adults
£4 under 18s
£18 per family
There will be a bar and a raffle

Friday, 18 August 2017

Exmouth from Starcross before the railway

This is a reproduction of an 1850 print from the Illustrated London News. It shows 2 sailed fishing boats and 2 rowed boats on the foreshore at Starcross.  Another 2-masted sailboat lies at anchor on the Exmouth side. A few white-sailed sailing dinghies are dotted around the Exe estuary.